Her sentences are sharp, and cut deep into bone, such as ‘History flattens. She can see out.’ from the poem ‘[WINDOWER],’ a piece on seeing through and seeing out, and striking at the differences between the two. The collection works through ideas of perception, of seeing, and of conflict through movements on gender, gender relation and gender perception. There is a violence throughout the collection, and a tension…

rob mclennan is generous here

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